How two popular arts – the aesthetics of the body and the performance of the body – come together in one choreographer: Deborah Colker from Brazil
Marcos Morau & La Veronal
Tired of the “avant-garde,” of lame bodies and heavy-laden sanctity? Here comes Marcos Morau, a Spaniard who really has a story to tell with his dancers in front of his enormous stage sets.
Marcos Morau
Marcos Morau is an acrobat of the simultaneous. With him, death and fantasy coincide, avant-garde and folklore, tradition and science fiction. He stages the unexpected surprise. Dance becomes a thriller. A tale of how someone managed to make his dreams come true.
The Lichtburg
is essentially just a poorly-ventilated, windowless room, bathed in unpleasant light. A former movie theater from the post-war period, it now serves as the rehearsal venue of the Tanztheater Wuppertal.
In the Lichtburg
It happened in a legendary old movie theater, the Lichtburg, where almost the entire oeuvre of Pina Bausch had been rehearsed, and which is now staging a new generation. A place to prick up the ears and listen to what’s happening outside. Rain is falling, as usual.
There is intelligent life
There is intelligent life even outside of the body. That is what AΦE stands for – Artificially Φutstanding Excellence. In this article, the creature of this British dance company tells the story of its creation.
Louise Lecavalier
She was the lead dancer of the Montreal-based La La La Human Steps company and became the iconic dancer of her generation. She continues. She remains an icon. And she fills the halls.
The mountaineers
Kor’sia scales an artistic summit. The dance company discovers ancient belief that the fate of mankind is not determined by God alone. Two Italian surrealists translate this idea into a wonderfully choreographed parable on the alienation of the human species from nature.
Success makes you happy
You can’t be successful without anger – not impotent anger, but honest anger. Bulgarian master Ivo Dimchev therefore seeks risk, not morality. He seeks his audience and not public opinion.
After the blast
In Beirut on the eastern Mediterranean, nothing confronts you with reality as much as the dance, the Arab body, the unadorned, which after years of horror has shed its ornamental dress and speaks directly to you.